Guys and Dolls is a musical with music and lyrics by Frank Loesser and a book by Jo Swerling and Abe Burrows. It is based on "The Miss Idyll Sarah Brown" and "Blood Pressure" - two short stories by Damon Runyon - and also borrowed characters and plot elements from other Runyon stories - especially "Pick the Winner".
The premiere broadcast on Broadway was in 1950. It played for 1200 shows and won the Tony Award for Best Musical. This musical has some revival of Broadway and London, as well as a 1955 film adaptation starring Marlon Brando, Jean Simmons, Frank Sinatra, and Vivian Blaine.
Guys and Dolls was selected as the winner of the 1951 Pulitzer Prize for Drama. However, due to the problems of Abe Burrows' writers with the Un-American House Activity Committee (HUAC), the Columbia University Supervisor vetoed the selection, and no Pulitzer for Drama was awarded that year.
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Guys and Dolls is conceived by producers Cy Feuer and Ernest Martin as an adaptation of Damon Runyon's short story. These stories, written in the 1920s and 1930s, the gangster in question, the gambler, and other characters from the underworld of New York. Runyon is known for the unique dialect he uses in his story, mixing a very formal language and slang. Frank Loesser, who spent most of his career as a lyricist for music movies, was hired as a composer and lyricist. George S. Kaufman was hired as a director. When the first version of the show's book, or dialogue, written by Jo Swerling was deemed unusable, Feuer and Martin asked radio comedy writer Abe Burrows to rewrite.
Loesser has written many scores to match the first version of this book. Burrows then remembers:
Fourteen Frank Loesser songs are all amazing, and [new books] have to be written so that the story will lead to each one. Then, critics talk about the show as 'integrated'. The word integration usually means that the composer has written songs that follow the storyline gracefully. Well, we reached it but we did it upside down.
The character of Miss Adelaide was specially created to fit Vivian Blaine into the musical, after Loesser decided she was not fit to play conservative Sarah. When Loesser suggested repeating some songs in the second half, Kaufman warned: "If you repeat the songs, we will repeat the jokes."
Maps Guys and Dolls
Synopsis
Act Me
An unending pantomime of activity illustrates the hustle and bustle of New York City ("Runyonland"). Three small gamblers, Nicely-Nicely Johnson, Benny Southstreet, and Rusty Charlie, argue about which horse will win the big race ("Fugue for Tinhorns"). The band members of the Save the Soul Mission, led by Sergeant Sarah Brown who is pious and beautiful, called for sinners to "Follow the Fold" and repent. A good businessman and Benny, Nathan Detroit, runs an illegal floating nonsense game. Due to the presence of local police Lt. Strong Brannigan, he found only one possible place to hold a match: "Biltmore garage." The owner, Joey Biltmore, needed a $ 1,000 bail, and Nathan went bust ("The Oldest Shaped"). Nathan hopes to win a $ 1,000 bet against Sky Masterson, a gambler who will bet on anything. Nathan made a bet, he was sure he would not lose: Sky had to take Nathan's chosen woman to dinner in Havana, Cuba. Sky agreed, and Nathan chose Sarah Brown. On a mission, Sky claims he wants to be saved, impressing Sarah with her knowledge of the Bible. He offers Sarah the deal: He will carry the mission of "a dozen true sinners" if he will accompany him to Havana the next night. Sarah rejects him, telling him that he's planning to fall in love with a straight and moral man. Sky replies that he plans to be surprised when he falls in love ("I'll Know"). Sky kissed Sarah, and she slapped him. Nathan went to watch his fiancee of 14 years, Adelaide, perform his nightclub action ("A Bushel and a Peck"). After the show, he asked him, as he often did before, to go to the town hall and get a marriage certificate. He's confused to know that Nathan is still running junk games. He consulted a medical book, telling him that his chronic fever was a psychosomatic reaction to his frustration with Nathan's failure to marry him ("Lamentations of Adelaide").
The next day, Good and Benny watched Sky chase Sarah, and Nathan tried to win back Adelaide support. They state that people will do anything for their beloved doll ("Guys and Dolls"). General Cartwright, leader of Save-a-Soul, visited the mission and explained that he would be forced to close the branch unless they managed to bring some sinners to the upcoming revival meeting. Sarah, desperate to save the mission, promised the General "a dozen true sinners", implicitly accepted Sky's deal. The gamblers, including the famous gangster from Chicago called Big Jule, are waiting for Nathan to secure a place for the game, and Lieutenant Brannigan becomes suspicious. To convince him of their innocence, they told Brannigan that their meeting was Nathan's "bachelor party." It satisfies Brannigan, and Nathan resigns to elope with Adelaide. Adelaide came home to pack up, promising to meet her after her show the following afternoon. The Save-A-Soul Mission band went by, and Nathan saw that Sarah was not in it; he realizes that he lost the bet and fainted.
At Havana's nightclub, Sky buys drinks for himself and a "Cuban milkshake" for Sarah. He did not realize that the drink contained Bacardi rum, and innocently drank many glasses, the easier it became. Outside the club, Sarah kissed Sky and stated that she really enjoyed herself for the first time in her life ("If I Were a Bell"). He wants to stay in Havana with Sky. Sky is shocked to find, though, that he really cares about Sarah's welfare, and he insists that they return to the airport and return to New York. Back in New York, it's 4pm, and when Sky and Sarah (now drunk) stand on the road outside the mission, Sky tells him that this is his favorite time, and that he is the only woman he has ever lived. wants to share it with ("My Time of Day"). They both spontaneously acknowledge that they are in love ("I Have Never Loved Before"). The sound of sirens and gamblers run out of missions, where Nathan has held the junk game. Sarah concludes that Sky took him to Havana and pretended to be in love with him so Nathan could use his mission for the game, refusing his innocent protest.
Act II
The following night, Adelaide performed the action on the Hot Box ("Take Back Your Mink"). Nathan does not appear to elope because he is still running a junk game. He soon realizes that Nathan has stood up again and turned to his book for convenience ("Adelaide's Second Lament").
Sarah admits to Arvide, her grandfather and her fellow mission, that she loves Sky but will never see her again because she believes she is responsible for the nonsense game the night before. Arvide expresses his faith which is inherent in the goodness of Heaven and urges Sarah to follow his conscience ("More I Can not Wish You"). Sky tells Sarah that she intends to send dozens of real sinners for revival. He did not believe him and left, but Arvide gently pushed him.
Well show the Sky where the game is being held: sewer ("Crapshooters Dance"). Big Jule has lost a lot of money and insists on playing on credit. To change his fortune, he uses his own dice, which is empty, and continues to deceive Nathan out of all his money. Sky then arrived well. Big Jule was not impressed, but Sky responded by hitting him. He then gave Nathan $ 1,000, saying that Nathan won the bet and implied that Sarah refused to go to Havana with him. Sky, determined to get the dozen sinners he promised Sarah, bet everyone on the game of a thousand dollars against their souls. If he loses, everyone gets a thousand dollars; if he wins, they all have to attend revival in mission ("Luck Be a Lady"). He throws the dice. The gamblers are on a mission, and it is clear that Sky has won the bet. On his way there, Nathan walked to Adelaide and told him that he had to attend a prayer meeting. Adelaide did not believe him. She asks herself why she continues to stick with Nathan's lies, and she tells him that she loves him ("Sue Me").
The sky and the gamblers arrive at the mission, surprising Sarah. General Cartwright asks if anyone wants to testify for their sins. Benny and Big Jule do, but another gambler named Harry The Horse let slip that Sky just took them to the meeting because he won their souls in a dice game. The general is very pleased with this because it shows that goodness can come out of evil. Trying to appear sorry, well creating a dream that drives him to repent, and the gamblers join the revivalist spirit ("Sit Down, You're Rockin 'the Boat"). Brannigan arrives and threatens to catch everyone for the nonsense game on Mission, but Sarah cleans them up, saying that no gamblers are on missions the night before. After Brannigan leaves, Nathan confesses that they are holding a junk game in missions. He also confessed with a bet he made with Sky about bringing Sarah to Havana. She adds that she won the bet, for Sarah's surprise, and she realizes that Sky wants to protect her reputation and must really care about her.
Sarah and Adelaide meet each other, and they sympathize and then decide to marry their man and reform them later ("Marry the Man Today"). A few weeks later, Nathan had opened a newspaper kiosk. Sky and Sarah just got married, and Sky plays drums in the band's mission. Adelaide and Nathan will be married on missions, and Sky tells Nathan that he will give eight to ten chances that he will be very happy. The title of this song is replicated ("Guys and Dolls" (Finale/Reprise)).
Music number
Productions
Original production
The show premiered on Broadway at 46th Street Theater (now Richard Rodgers Theater) on November 24, 1950. The film was directed by George S. Kaufman, with dance and musical numbers by Michael Kidd, a beautiful design and lighting by Jo Mielziner, a costume by Alvin Colt and orchestration by George Bassman and Ted Royal, with vocal arrangements by Herbert Greene. It stars Robert Alda (Sky), Sam Levene (Nathan), Isabel Bigley (Sarah), and Vivian Blaine (Adelaide). Iva Withers is a substitute for Adelaide. The musical is for 1,200 performances, winning five 1951 Tony Awards, including awards for Best Musical. Decca Records produced the original cast recordings on 78 rpm recordings, which were later expanded and reissued on LP, and then transferred to CDs in the 1980s.
West End premiere opened at the London Coliseum on May 28, 1953 and ran for 555 performances. The main actors are Vivian Blaine, Sam Levene, Lizbeth Webb and Jerry Wayne. Lizbeth Webb is the only head of the primary school English and was chosen to play the role of Sarah Brown by Frank Loesser. This show has a lot of revivals and tours and has become a popular choice for community theater productions and community.
New York City Center in 1955, 1965 and 1966 Revivals
New York City Center incised a short musical performance in 1955, 1965 and 1966. A production starring Walter Matthau as Nathan Detroit, Helen Gallagher as Adelaide, Ray Shaw as Sky and Leila Martin as Sarah has 31 shows, lasting from April 20th to May. 1, and 31 May to 12 June 1955.
Another presentation at City Center, with Alan King as Nathan Detroit, Sheila MacRae as Adelaide, Jerry Orbach as Sky and Anita Gillette as Sarah, ran for 15 shows from April 28 to May 9, 1965. Production of 1966, starring Jan Murray as Nathan Detroit , Vivian Blaine repeated her role as Adelaide, Hugh O'Brian as Sky, and Barbara Meister as Sarah, ran for 23 shows, from June 8 to June 26, 1966.
1976 Broadway Awakening
The black star performs Broadway's first show, which opened on July 11, 1976 in preview, officially on July 21st, at The Broadway Theater. It stars Robert Guillaume as Nathan Detroit, Norma Donaldson as Miss Adelaide, James Randolph as Sky and Ernestine Jackson as Sarah Brown. Guillaume and Jackson were nominated for the Tony and Drama Desk Awards, and Ken Page as Nicely-Neely won the World Theater Award.
This production features Motown-style music arrangements by Danny Holgate and Horace Ott, and directed and choreographed by Billy Wilson. All production is under the supervision of Abe Burrows, and music direction and choir arrangement by Howard Roberts.
The show closed on 13 February 1977, after 12 previews and 239 shows. Correct footage was released after the opening of the event.
The rise of London 1982
Laurence Olivier wanted to play Nathan Detroit, and began training for London's planned revival in 1971, Guys and Dolls at the theater of the Old Vic National Theater Company. However, due to poor health he had to stop, and the revival never saw the light of day.
In 1982, Richard Eyre directed a major revival at the London National Theater. Eyre calls it a musical "rethink", and his production features award-winning neon-lite set design inspired by 1979 Rudi Stern's Let's Be Neon and the innovative yet innovative vintage bra orchestra. Event choreography by David Toguri includes a large-scale dance tap of the final "Guys and Dolls", performed by principals and all players. The revival opened on March 9, 1982, and was an overnight sensation, running for nearly four years and breaking all the box office records. The original cast featured Bob Hoskins as Nathan Detroit, Julia McKenzie as Adelaide, Ian Charleson as Sky and Julie Covington as Sarah. Production won five Olivier Awards, including for McKenzie and Eyre and for Best Musical. Eyre also won the Evening Standard Award, and Hoskins won the Critics' Circle Theater Award.
In October 1982, Hoskins was replaced by Trevor Peacock, Charleson by Paul Jones, and Covington by Belinda Sinclair; in the spring of 1983 McKenzie was replaced by Imelda Staunton and Fiona Hendley replacing Sinclair. This production was closed in late 1983 to give way to a Broadway tryout from the poor musician Jean Seberg , which after a critical failure closed after four months. Eyre's
After the death of Ian Charleson of AIDS at the age of 40, in November 1990, two reunion performances of Guys and Dolls, with almost all the original players and musicians of 1982, were given at the National Theater in honor of Charleson. Tickets are sold out immediately, and rehearsal is also packed. The proceeds from the show were donated to the new Ian Charleson Day Center HIV clinic at Royal Free Hospital, and for a scholarship in the name of Charleson at LAMDA.
1992 Broadway Awakening
The Broadway 1992 revival was America's most successful re-show from this show since its original opening. Directed by Jerry Zaks, he starred in Nathan Lane as Nathan Detroit, Peter Gallagher as Sky, Faith Prince as Adelaide and Josie de Guzman as Sarah. The production was screened at the Martin Beck Theater from April 14, 1992 to January 8, 1995, with 1,143 performances.
The production received warm reviews from Frank Rich in the New York Times, which states "It's hard to know which genius, and I'm really a genius, to celebrate first while entertaining entertainment at Martin Beck." It received eight Tony Award nominations, and won four, including Best Revival, and the event also won the Drama Desk Award for the Awakening Awakening. The revival featured revisions to the event scores, including new music for "Runyonland", "A Bushel and a Peck", "Take Back Your Mink" and "Havana". The orchestration was redesigned by Michael Starobin, and there was a new dance arrangement added to "A Bushel and a Peck" and "Take Back Your Mink".
One hour documentary recording sessions of original production album album. Titled Guys and Dolls: Off the Record , the film premiered on PBS's Great Performances series in December 1992, and was released on DVD in 2007. Complete takes most of the song performances and the commentary session by Gallagher, de Guzman, Lane, and Prince stars on their production and character.
London's 1996 Resurrection
Richard Eyre repeated his success in 1982 with the rise of other National Theater, this time for a limited time. It stars Henry Goodman as Nathan Detroit, Imelda Staunton returns as Adelaide, Clarke Peters returns as Sky and Joanna Riding as Sarah. Clive Rowe plays Nicely-Nicely Johnson, and David Toguri returns as a choreographer. Production took place from December 17, 1996 to March 29, 1997 and from 2 July 1997 to 22 November 1997. It received three Olivier Award nominations, winning one: The Best Supporting Performance in Musical went to Clive Rowe. Richard Eyre won the Critics' Circle Theater Award for Best Director, and production won Best Musical.
West End Awakening 2005
The 2005 West End revival opened at the London Piccadilly Theater in June 2005 and closed in April 2007. The awakening, directed by Michael Grandage, starred Ewan McGregor as Sky, Jenna Russell as Sarah, Jane Krakowski as Adelaide, and Douglas Hodge as Nathan Detroit. During the run, Nigel Harman, Adam Cooper, Norman Bowman, and Ben Richards took over as Sky; Kelly Price, Amy Nuttall and Lisa Stokke took over Sarah; Sarah Lancashire, Sally Ann Triplett, Claire Sweeney, Lynsey Britton, and Samantha Janus took over as Adelaide; and Nigel Lindsay, Neil Morrissey, Patrick Swayze, Alex Ferns, and Don Johnson took over from Nathan Detroit. This production adds the song "Adelaide" written by Frank Loesser for the film adaptation of 1955. According to the September 2007 article at Playbill.com , this West End production has been scheduled to start a preview for a transfer to Broadway in February 2008 , but this plan was canceled.
Broadway Awakening 2009
The revival of the Broadway show 2009 opened on 1 March 2009 at the Nederlander Theater. The cast plays Oliver Platt as Nathan Detroit, Lauren Graham, in his Broadway debut as Adelaide, Craig Bierko as Sky and Kate Jennings Grant as Sarah. Des McAnuff is the director, and the choreographer is Sergio Trujillo. The event opened for generally negative reviews. The New York Times calls it "static" and "uninspired", the New York Post says, "How can something so passionately so boring?" and Time Out New York write, "Some things are more debilitating than watching a good deflate material." However, this event received excellent reviews from The New Yorker , and the producers decided to keep the show open in the hope of a positive audience response. The New York Post reported on March 4 that producer Howard Panter "[said] he will give Guys and Dolls at least seven weeks to find the audience." The revival closed on 14 June 2009 after 28 previews and 113 shows.
2015-16 West End revival and UK/Ireland tour
The revival opens at the 2015 Chichester Festival. It moves to Manchester and Birmingham before moving to the opening of the West End at the Savoy Theater on December 10, 2015 for a preview with full opening on January 6, 2016 to March 12, 2016. Production stars Sophie Thompson as Adelaide and Jamie Parker as Sky. Production was later moved to the Phoenix Theater, with Oliver Tompsett as Sky, Samantha Spiro as Adelaide and Richard Kind as Nathan. On June 28, 2016, Miss Adelaide's role was taken over by Rebel Wilson, and Nathan Detroit was played by Simon Lipkin. The tour continues around the cities of England and Dublin.
2017/2018 All-black production in the UK
Talawa Theater Company and Manchester's Royal Exchange Theater produced the first UK first film Guys and Dolls in 2017. Production opens on 2nd December 2017 and after extension will take place until 27th February 2018 at Royal Exchange in Manchester. The players include Ray Fearon as Nathan Detroit, Ashley Zhangazha as Sky Masterson, Abiona Omonua, and Lucy Vandi.
In this production, the musical was moved to Harlem, 1939, with jazz reference music, and the Gospel. Director of Michael Buffong said, "Harlem pre-war is all about the frenzy.Creativity of the era was born from a unique collision of talent and circumstances when people fled from agriculture and oppress the south through the 'subway' became very urbanized and industrialized Most of our popular culture, from dance to music, has its roots in that period.We Guys and Dolls brought this all forward. "
Reviews mainly praised music, relocation to Harlem, and a sense of spectacle: The Guardian noted, "gamblers... are a group of sharp peacocks wearing rainbow hues." The Times commented, "Anyone who has the idea of ​​moving this classic music from one part of New York to another, just down the road, needs to be congratulated." This musical version of Frank Loesser, around the lives of the little gangsters and their 'puppets' who inhabited the belly in New York, transferred the action to Harlem at pre-war altitudes in 1939. This is Talawa's production with all-black players and that's great from the beginning. " The Observer states, "Relocation to Harlem, the production of classic Frank Loesser's new classic music preserves the threat of violence under a bright cartoon exterior."
More
In 1995, Las Vegas production, performed without rest, starring Jack Jones, Maureen McGovern and Frank Gorshin.
Charles Randolph-Wright led the production at the Arena Arena Washington, starring Maurice Hines (Nathan Detroit) and Alexandra Foucard (Adelaide), opened on December 30, 1999. The production received six Helen Hayes Award nominations. With support from Jo Sullivan Loesser, production began a nationwide tour in August 2001. The recording of this production player, released in November 2001, was nominated for a Grammy Award for Best Musical Show Album.
The Australian production remake of Michael Grandage West End Guys and Dolls opened in Melbourne, Australia on 5 April 2008. The show stars Lisa McCune, Marina Prior, Garry McDonald, Ian Stenlake, Shane Jacobson, Wayne Scott Kermond , and Magda Szubanski, and ran in the Princess Theater. The Melbourne season was closed in August 2008 and moved to Sydney from March 13, 2009 to May 31, 2009 at the Capitol Theater, retaining Melbourne players.
In August 2009, the concert version ran in The Hollywood Bowl, Hollywood, California, starring Scott Bakula (Nathan Detroit), Brian Stokes Mitchell (Sky Masterson), Ellen Greene (Miss Adelaide), and Jessica Biel (Sarah Brown).
In February 2011, the co-production between Clwyd Theatr Cymru, New Wolsey Theater and Salisbury Playhouse opened in Clwyd Theatr. Directed by Peter Rowe and with musical direction by Greg Palmer and choreography by Francesca Jaynes, the show is performed by a cast of 22 actors-musicians, with all the music played live on stage by the players. The event also toured Cardiff, Swansea, and other Welsh towns as well as some English cities, receiving positive reviews on The Guardian .
The concert show took place at London's Cadogan Hall from August 22-25, 2012 featuring Dennis Waterman, Ruthie Henshall, Anna-Jane Casey and Lance Ellington (Strictly Come Dancing), with music director Richard Balcombe and the Royal Philharmonic Concert Orchestra and Choir.
In April 2014, a one-night show only took place at Carnegie Hall, starring Nathan Lane repeating the role that made him a star, Megan Mullally, Patrick Wilson and Sierra Boggess. The film is directed by Jack O'Brien and features the St. John's Orchestra. Luke is playing the original orchestra.
Reception
Original Broadway production Guys and Dolls opened for unanimously positive reviews. Critics praised music's loyalty to Damon Runyon's style and characterization. Richard Watts of the New York Post says " Guys and Dolls is what is supposed to celebrate the spirit of Runyon... [filled] with salty and very original sacred characters to commemorate deceased sir. " William Hawkins of New York World-Telegram & amp; Sun states, "It recalls what [Runyon] knew about Broadway, that his crime was tinhorn, but his virtue was pure and young as Little Eva". Robert Coleman of the New York Daily Mirror stated, "We think Damon will love it as much as we do".
Books and scores are highly praised as well; John Chapman of the New York Daily News stated, "This book is an easy and fun work of humor.The music and lyrics, by Frank Loesser, are perfect for the show and have no excuse, that they achieve artistic victory ". Coleman stated, "Frank Loesser has written a score that will get great games in the juke box, over the radio, and in bistros around the country.The lyrics are very important because they help Burrows top jokes to continue the plot". In Brooklyn's The New York Times, Brooks Atkinson writes, "Loesser's lyrics and songs have the same appreciation of the material as a book, which is funny without self-conscious or mechanical".
Some critics assert that the work is very important for musical theater. John McClain of the American New York Journal stated, "This is the best and most exciting thing of its kind since Pal Joey This is a triumph and a joy." Atkinson stated, "we may also recognize that Guys and Dolls is a work of art.It's spontaneous and has a shape, style, and spirit." Chapman asserted, "In all departments, Guys and Dolls is a perfect musical comedy".
Movie adaptation
On November 3, 1955, the musical version was released, starring Marlon Brando as Sky, Frank Sinatra as Nathan Detroit, and Jean Simmons as Sarah, with Vivian Blaine repeating her role as Adelaide. The film was directed by Joseph L. Mankiewicz and produced by Samuel Goldwyn.
Three new songs, written by Frank Loesser, were added to the movie: "Pet Me Poppa"; "A Woman in Love"; and "Adelaide", written specifically for Sinatra. Five songs from musical performances are removed from the film: "A Bushel and a Peck", "I've Been In Love Before", "More I Can not Wish You", and "Marry the Man Today ".
20th Century Fox acquired a musical rights title in early 2013, and plans to cast Channing Tatum and Joseph Gordon-Levitt in remake of Guys and Dolls .
Cast main production
The following table shows the main cast of main production Guys and Dolls :
Awards and honors
Recordings
There are many recordings of event scores on compact discs. The most important include:
- Original 1950 Broadway Cast
- 1955 Soundtrack Movie
- 1963 Reprise Musical Repertory Theater studio recording (Bing Crosby, Frank Sinatra, Debbie Reynolds, Dean Martin, Jo Stafford, The McGuire Sisters, Dinah Shore, Sammy Davis, Jr., Allan Sherman)
- 1976 Broadway Revival Cast
- 1982 Revival Cast London
- 1992 Broadway Revival Cast
- 1995 Recording Studio Complete (displaying all scores for the first time on CD, with Frank Loesser's daughter, Emily as Sarah Brown, performed by John Owen Edwards)
Note
References
- Davis, Lee. "The Indestructible Icon". ShowMusic . Winter 2000-01: 17-24, 61-63.
- Loesser, Susan (1993): A Most Remarkable Fella: Frank Loesser and Guys and Dolls in His Life . New York: Donald I. Fine. ISBNÃ, 0-634-00927-3.
- Stamp, Larry (2010). Showtime: A History of the Broadway Musical Theater . New York: W. W. Norton and Company. ISBNÃ, 0-393-92906-X.
- Suskin, Stephen (1990). Opening Night on Broadway: A Critical Quotebook from the Golden Era of Musical Theater . New York: Schrimmer Book. ISBN: 0-02-872625-1.
External links
- Guy and Puppet on the Broadway Internet Database
- Guy and Puppet on the Music Theater International website
- Guys and Dolls JR. on the Music Theater International website
- Guy and Puppet in the Musical Theater Guide
- Guy and Puppet on StageAgent.com
Source of the article : Wikipedia
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